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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 6 Documents
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Search results for , issue "Vol 9, No 2 (2017)" : 6 Documents clear
SENI LUKIS KARYA WIRYONO PERIODE 2006-2012 Arif Wicaksana; Henry Cholis
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (594.204 KB) | DOI: 10.33153/bri.v9i2.2168

Abstract

This article discusses the paintings by Wiryono in the 2006-2012 period which are unique in terms of techniques, shapes, fantasies, metaphors, and aesthetics that are displayed in the works. The type of research used is qualitative research using a phenomenological approach that obtains data through direct observation in the field, interviews, literature reviews and other visual data. To dissect the work, Monroe C. Beardsley's theory of creativity was used. Keywords: aesthetics, wiryono, painting.
KAJIAN SIMBOLIK KRESNA WANDA RONDON PADA WAYANG KULIT PURWA GARAPAN SAIMONO AGUS SUBIANTORO Yuni Prastika Sari; Nunuk Nur Shokiyah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (777.029 KB) | DOI: 10.33153/bri.v9i2.2169

Abstract

This study examines focus on the symbolic meaning of shadow puppet Kresna wanda Rondon produced by Saimono Agus Subiantoro and background creation. This research is descriptive qualitative research. The validity of the data using triangulation data. Analysis of the data used is the analysis of the interaction with Saimono directly to find out the background of the creation of the work. To explain the meaning of the symbolic use of interpretation through symbols theory approach Susanne K. Langer. Keywords: Symbol, Krishna Wanda Rondon, Saimono
SENI RUPA "BIASA-BIASA SAJA" KARYA HERMAN "BENG" HANDOKO Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (745.42 KB) | DOI: 10.33153/bri.v9i2.2165

Abstract

ABSTRACTThe aim of the article entitled Seni Rupa “Biasa-Biasa Saja” Karya Herman “Beng” Handoko", is to understand creative and interpret the work of art aesthetics from Herman" Beng "Handoko or often called Beng Herman. This article is the result of qualitative research using Deteritorial theory Gilles Deleuze to understand Beng Herman's creative process. To understand the aesthetics of Beng Herman's work using the aesthetics of Clive Bell, inform art as a personal experience that presents a form of significance. Findings from this research are: (1) Beng Herman's art is present from a routine of feeling and thinking that frees himself from the boundaries outside himself so that his work is present from pure feelings from within him, (2) through liberation makes routine art activities become "mediocre" activities which are all responded to become a desire to produce aesthetic work, a depth of individual processes that display honesty without judgment on other individuals and (3) the aesthetics of Beng Herman's work is present from the unity of the line, fields that are coordinated freely, which sometimes appear repetitive by displaying dynamic rhythms. An ordinary thing that becomes extraordinary when something becomes a deep personal experience and presents diverse possibilities and meanings according to each individual's aesthetic experience. Keywords: Art, creative, Aesthetics, Beng Herman
SENI GRAFIS INDONESIA KEMBALI KE "JALAN MASIF" Deni Rahman
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (490.901 KB) | DOI: 10.33153/bri.v9i2.2170

Abstract

The graphic practitioners' tactics of exclusive graphics so that they are equal to painting, it makes graphic art seem only as one of the techniques of painting. To bring graphic art closer to society, taking a "massive ways" will be a powerful strategy. This will put the graphic arts back in their nature, namely multi-impression works. keywords: graphic art, massive
AKTIVITAS KESENIAN KOMUNITAS SARANG TARUNG Fajar Nurul Hidayah
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (569.345 KB) | DOI: 10.33153/bri.v9i2.2166

Abstract

This article is the result of research that discusses the Sarang Tarung community art activities. The focus of the problem under study is the meaning that encourages the Sarang Tarung community to perform art activities, also discusses the background of the community's establishment, and how their activities are. The research method used is ethnography with taxonomic analysis. Symbolic interactionism theory (Herbert Blumer) is used as a scalpel. Sarang Tarung seen through symbolic interactionism is a series of processes of formation of meaning that underlie them to carry out artistic activities. Through symbolic interactionism, it can be seen that the meaning of art activities for the Sarang Tarung community is a form of caring, and it can be seen that the Sarang Tarung community does not fully understand popular art, they are also part of young people who consume popular art trends. They assume that popular art is a form of solidarity that is capable of giving changes to the welfare of the lower classes. This assumption encourages them to carry out artistic activities and not just become passive consumers. Keywords: Art Activity, Symbolic Interactionism, Sarang Tarung Community, Meaning. 
KARAKTERISTIK SENI LUKIS KARYA SOEGENG TOEKIO Satriana Didiek Isnanta
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 9, No 2 (2017)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (725.28 KB) | DOI: 10.33153/bri.v9i2.2167

Abstract

The study entitled "Characteristics Of Soegeng Toekio's Paintings". The focus of this research is to find the character of Soegeng Toekio’s paintings in order to know the weaknesses and shortcomings Soegeng Toekio’s works together. The first step taken is collecting data from all three sources of information required by the holistic art criticism, namely, the creation of works Soegeng Toekio’s backgrounds as genetic information, Soegeng Toekio’s paintings as objective information and gazerer comments as affective information. Once the source of the data collected and analyzed using analysis of interaction (the Information sources of genetic and affective) and interpretive analysis of sources of objective information. After all the data is analyzed and then synthesized and conclusions drawn with regard to the characteristics of Soegeng Toekio’s painting.Results from this study is the character of Soegeng Toekio’s painting are illustrative figurative decorative style, the paintings with decorative styles, with strength in typical comical figure with forms like wayang beber. Illustrates the tradition of events identified from the human figure clothes which are then contrasted/ contrasted with popular contemporary colors. Keywords: Soegeng Toekio, characteristics, painting, art criticism, holistic

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